We are slowly dying in 140-character bursts.
Twitter has gone from a precious little idea to a respectable mini-blogging service to a massive cultural phenomenon in a little more than a year. And I think a lot of us are looking around at each other, nodding, saying, yes, this is awesome, I get it, tweet tweet birdhouse tweetdeck rt @imsohip.
I think some people have a legitimate use for Twitter: comedians, technical support, and Barack Obama. I think the rest of us are fumbling around for a way to stay relevant on it. Because Twitter suffers from the same problem blogs, podcasts, and user-generated content does: most people either have something interesting to say but can’t figure out how to tell it, or don’t have something interesting to say and disguise that fact with wry observational humor that went out of style with Seinfeld.
Here’s the great thing about Twitter: you can only communicate in 140-character bursts, so if it sucks, it’s over. Here’s the crappy thing about Twitter: we haven’t learned how to create stories on it yet. What we’re getting is fragments, little tic-tacs of information that hit us like pellets and we pretend are refreshing and informative and clever, but what we’re leaving off is: for a tweet. As in, that’s cute. For a tweet. We’re grading on a 140-character curve.
That’s why most people who sign up for Twitter don’t stick with it: there’s nothing yet there to stick to. There’s no flow there. Say what you want about Facebook, but people have learned how to tell stories with beginnings, middles, and ends. There’s a continuity. Not so on Twitter. Each tweet lives and dies like a fruit fly, leaving us not necessarily wanting more.
I’m not saying there aren’t uses for this sort of communication, but that they’re more limited than we think they are. If I am wrong — and I am never wrong — then maybe it works as a meta-communicator and tastemaker, directing your attention to bit.ly links. The Japanese are writing novels this way, but they’re not necessarily the sanest of nations, pop-culturally speaking. Pogue has decided to let others write a book for him, which is stupid, lazy and just like him. It’s nice when you have a question to pop it into the ether and get responses. And it helps to have a brand, a mission, and something worthwhile to say. Three times a day. Every day.
We’re tweeting, we follow other tweeters, so we’re biting the hand that feeds us. But it feels like the Twitter phenomenon, like billions of “Margaritas! WOO HOO!” tweets themselves, has a shelf life, until something better comes along.
Filed under: social media, supergenius llc, twitter , content, creative, facebook, social media, story, storytelling, super genius, twitter
This amuses us.
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